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Waking Life: Chapter 4 - Alienation

Description: Script of the movie Waking Life, based on Tara Carreon's transcription, but with revisions based upon a viewing of the DVD version of the movie, which was watched with subtitles.

Revisions by James Richard Skemp III
This chapter last modified: January 27, 2007

Notes: Special thanks to Andrew, Larry Redden, and Ed Sandberg for pointing out errors in Tara's transcription (numerous errors were fixed here, along with some scene information clarifications). Absolutely let me know if anything slipped by my look-over, especially in the quicker and the 'like, like, you know,' sections ;)

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[4 Alienation]

Waking Life: Chapter 4 - Alienation(The main character enters a house. Next, we see him taking off his shoes, laying down, and picking up a book, yet the pages appear to be blank. He looks at his alarm clock, and the numbers do not focus, but rather dance around. He lays back and we seem to hear the wind, as if we're near the ocean, after which the main character floats off his bed and through the roof, proceeding to fly over the burbs. We next seem to move from the sky to the ground ...)

***

(Main character walking down the street with a man who is holding a can of gasoline - J.C. Shakespeare.)

A self-destructive man feels completely alienated, utterly alone. He's an outsider to the human community. He thinks to himself, "I must be insane." What he fails to realize is that society has, just as he does, a vested interest in considerable losses and catastrophes. These wars, famines, floods and quakes meet well-defined needs. Man wants chaos. In fact, he's gotta have it. Depression, strife, riots, murder, all this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things, painting them up as great human tragedies. But we all know the function of the media has never been to eliminate the evils of the world, no. Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers. Hey, you got a match? And they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. You want the puppet on the right or the puppet on the left? I feel that the time has come to project my own inadequacies and dissatisfactions into the sociopolitical and scientific schemes, let my own lack of a voice be heard.

(He pours gasoline all over himself and lights himself on fire.)

***


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Waking Life Script with Revisions

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Comments

10/22/2008 9:21:50 PM #

Aaron Dantley

this scene really reminds me of the part in fight club, where the character played by Edward Norton has his hand covered with lye. It reminds me of that scene because it is symbolic of when he changes, when he actually realizes, as it is well put, his lack of a voice, and he and his Brad Pitt counterpart reek havoc to let it be heard. This is more of a sociopolitical statement than the man burning himself, but when looked at closely, this subtle scene has the intricate facets of the media strewn into the man's outcome after this burning. The media will either ask the surrounding community to feel sorrow for the man if he died, or would ask the community to be sympathic if he survived. The truth is that is does play up the role of the human tragedy, real life experiences that can be given faces. The problem is, this faces has multiplied, and not just that, the sense of individualism causes the bond between community members to break, and then they can no longer identify and no longer care about the man half seared on the nightly news. We have lost touch with the equilibrium, the place where we can be apart, in smaller fractions of society, but also coalesce to better ourselves as a whole. Instead we aim for personal achievement, instead of projecting this achievement onto others, and sit on couches and watch those burn, and pray that we aren't related.

Aaron Dantley United States

6/29/2009 9:56:00 AM #

Quentin Allemeersch

It's important to make the comparison between Shakespeare's character and Thích Quảng Đức.

Quentin Allemeersch Belgium

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